'Waiting For Flight' linocut by Marla Allison
'Waiting For Flight' linocut by Marla Allison 'Waiting For Flight' by Marla Allison

Waiting For Flight by Marla Allison

£40.00

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title: Waiting For Flight (2021)
artist: Marla Allison (Laguna Pueblo)
medium: linocut on paper 33/100
image dimensions: 11.4cm x 16.5cm
mount dimensions: 20.3cm x 25.4cm

This enchanting linocut print entitled “Waiting For Flight” depicts a bird in tree. It speaks of the artists eagerness for travel when the Covid-19 pandemic ends.

These prints are a limited edition of 100 and are mounted (matted) in either black or white acid free, white core board.

SKU: AA0071 Category:
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title: Waiting For Flight (2021)
artist: Marla Allison (Laguna Pueblo)
medium: linocut on paper 33/100
image dimensions: 11.4cm x 16.5cm
mount dimensions: 20.3cm x 25.4cm

This enchanting linocut print entitled “Waiting For Flight” depicts a bird in tree. It speaks of the artists eagerness for travel when the Covid-19 pandemic ends.

These prints are a limited edition of 100 and are mounted (matted) in either black or white acid free, white core board.

Marla Allison

I am from Laguna Pueblo so I paint Laguna Pueblo. I am an artist who accepts the challenge of personal growth and innovation. I paint and create for Laguna history to be great and remembered. I paint because I was passed down a gift from my grandfathers; I paint to continue what they started. I began with simple works of loose brush strokes, slight symbols of pottery design, and shapes taught to me in my youth. I researched the artists that I found powerful and connected what they did with what I do. From study and admiration, I found that I had something all my own.

“Most of my influence is from pottery design of Laguna Pueblo and Hopi Pueblo. I have also found much influence by the cubism of Pablo Picasso and squares of Paul Klee. I don’t stick with one certain style but it is all my own, that’s what makes it mine. With the use of pottery design I have painted landscapes that have design on them symbolizing where the clay that holds these designs comes from. I have painted mosaic paintings that are broken up squares and by taking these paintings apart with the image, the viewer is forced to visually put them back together as a way of putting themselves and their past into it in the process.

My art is what lets me connect the past to my future. My paintings are based on the contemporary, which borrows from the past. I paint so I remember where I came from. I paint so others can remember where I come from. I paint to be remembered.” Marla Allison

Marla trained at the Institute of American Indian Arts (Santa Fe, NM) and has an Associates Degree in three-dimensional art. She has exhibited at the Heard Museum, Santa Fe Indian Market, and the Smithsonian Museum (NY). Her work can be found in permanent collections at The Heard Museum (Pheonix, AZ), The Museum of Indian Arts & Culture (Santa Fe, NM), Red Cloud Indian School (Pine Ridge, SD) and private collections around the world. In 2010 she was awarded the Eric and Barbara Dobkin Native Woman’s Fellowship at the School for Advanced Research (Santa Fe) and in April 2017 she travelled to the Abu Dhabi Art Hub (United Arab Emirates) for a month long residency.

Marla Allison was been awarded the Rainmaker Gallery 2018 artist residency, supported by ‘Beyond The Spectacle‘. During her residency Marla was based in a studio space at The Bristol Museum & Art Gallery. She was the keynote speaker for Indigenous Art in Britain, a symposium at Bristol University. Her residency culminated in a  solo exhibition at Rainmaker Gallery Marla Allison:  Painter From The Desert 6th June – 11th August 2018.