Zirconium & Diamond Bracelet by Pat Pruitt & Marla Allison
This exquisite zirconium bracelet is expertly engineered in laser etched and oxidised zirconium by Pat Pruitt. The floral design by Marla Allison shows morning glory blooms. The central bloom is highlighted with a tiny facetted diamond set in 18k gold. Super light weight and comfortable to wear this bracelet is available in two sizes to fit medium and large female wrists.
Matching ring available.
Pat Pruitt and Marla Allison are celebrated artists from the Laguna Pueblo tribe in New Mexico, USA. Pat Pruitt won best of show at Santa Fe Indian Market in 2017 and his jewellery is on permanent display at the British Museum.
Art is how you feel, who you are, and comes from the soul. —Marla Allison
Marla Allison is a member of Laguna Pueblo in New Mexico. Marla lives and makes art from her home studio where she finds comfort and inspiration by connecting with family, tradition, and being close to her community. Marla is a contemporary Native artist whose primary medium is painting.
Ms. Allison began her expression through art in her youth and gained formal education at the Institute of American Indian Arts (IAIA) in Santa Fe, NM where she obtained an Associates Degree in three-dimensional art. Permanent collections with Marla’s work are found in, The Heard Museum Permanent Collection (Phoenix, AZ), The Museum of Indian Arts and Culture (Santa Fe, NM), The Red Cloud Indian School Collections (Pine Ridge, SD) and various private collections around the country and also Rome, Italy. Ms. Allison was the 2010 recipient of the Eric and Barbara Dobkin Native Woman’s Fellowship at the School for Advanced Research (SAR) in Santa Fe, NM.
Most of my influence is from pottery design of Laguna Pueblo and Hopi Pueblo. I have also found much influence by the cubism of Pablo Picasso and squares of Paul Klee. I don’t stick with one certain style but it is all my own, that’s what makes it mine. With the use of pottery design I have painted landscapes that have design on them symbolizing where the clay that holds these designs comes from. I have painted mosaic paintings that are broken up squares and by taking these paintings apart with the image, the viewer is forced to visually put them back together as a way of putting themselves and their past into it in the process.
My art is what lets me connect the past to my future. My paintings are based on the contemporary, which borrows from the past. I paint so I remember where I came from. I paint so others can remember where I come from. I paint to be remembered.